Bernd & Hilla Becher aka the modern typologists.
Collectors
of dying architectural structures Bernd and Hilla Becher, a husband and
wife German artist duo, spent over 50 years photographing architectural
structures of the industrial era. A project that started out of
nostalgia as a way to preserve this "things",
later became this huge body of work.
They started taking a very
large amount of photos using a 6x9 Linhof camera. After that they
organize them putting an image next to another and that's how the typologies
were born. Noting differences and similarities
between each structure they were able to create harmonic pieces of 9, 12 or 15 images. And so, they started collecting their industrial structures as a biologist would
collect butterflies or bugs.
The
Bechers did not rush for any photo leaving nothing to chance. They took
everything in consideration for each image, centered compositions for
simple objects, using the horizon 3/4 of the space in the image.
They
waited for the perfect weather conditions; cloudy/foggy days so the
background of the structure wouldn't get in the frame, little
vegetation, apertures of 32 or 45 so the exposure was usually around 20 seconds, "is a lovely moment counting to 20 we are very concentrated and oblivious to everyone"
Bernd Becher said on an interview.
Bernd and Hilla Becher's work is fundamental for modern photography. They taught at Kunstakademie Düsseldorf (Dusseldorf Art Academy) were influencing photographers like Andreas Gursky, Candida Höfer, Thomas Struth and Thomas Ruff, were their students. They also created the Düsseldorf School of Photography.
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The PhotoAutomat section is curated by the Brooklyn-based photographer Andreína Restrepo.
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