Sunday, 2 August 2015

SCIENCE & TECHNOLOGY: Screen Addiction Is Taking a Toll on Children



Illustration Paul Rogers via The New York Times.

"If kids are allowed to play 'Candy Crush' on the way to school, the car ride will be quiet, but that’s not what kids need. They need time to daydream, deal with anxieties, process their thoughts and share them with parents, who can provide reassurance." Technology, remind us Jane Brody, is a poor substitute for personal interaction. Read full article in The New York Times. E.T.P. 4'

DESIGN, BUSINESS & INNOVATION: The Perfect Résumé

Image via HBR.


"How long will recruiters spend on your résumé before deciding to toss it in the recycle bin? Six seconds, says online job search site The Ladders. That’s about 20 to 30 words.
So how do you write those first few lines of your resume—the summary section—to compel the recruiter to keep reading? How do you make sure you get the call—and not the toss? How do you make your summary memorable?" Read all the tips in the Harvard Business Review. E.T.P. 4'

CULTURE & ENTERTAINMENT: Latin American authors for your summer reading list


 
Illustration via Quartz

"For many years Latin American writers complained of living under the shadow of their predecessors: the heavyweights of magical realism like Gabriel García Márquez, Mario Vargas Llosa or Carlos Fuentes. And Latin American authors are too often absent from suggested reading lists, despite the demographic shift taking place in America. 
“They have in common a formal audacity, they are very confident in their style and in what they are doing,” Valerie Miles, founder of the Spanish edition of Granta Magazine, told Quartz about this generation of authors. “The ideas about politics are not so obvious in their writing as they were in the writers of the boom: politics becomes something more intimate that comes out from the daily life with the partner, children… not from the state.”
Quartz have have put together a list of Latin American authors, highlighting books that may not be necessarily the most recent, but those that are translated, edited or easier to find in English. "No matter what the must-reads table at your bookstore says: there is life beyond Roberto Bolaño and Junot Díaz." Have a look at the list in Quartz. E.T.P. 5'

CULTURE & ENTERTAINMENT: To Cocktail




“As ‘cocktail,’ so I gather, has become a verb, it ought to be conjugated at least once,” wrote the author of The Great Gatsby in a 1928 letter to Blanche Knopf, the wife of publisher Alfred A. Knopf. Who better to first lay out its full conjugation than the man who, as the University of Texas at Austin’s Harry Ransom Center puts it, “gave the Jazz Age its name”? Given that his fame “was for many years based less on his work than his personality—the society playboy, the speakeasy alcoholic whose career had ended in ‘crack-up,’ the brilliant young writer whose early literary success seemed to make his life something of a romantic idyll,” he found himself well placed to offer the language a new “taste of Roaring Twenties excess.” Read full article in Open Culture before going ahead and start practically conjugating this very summery verb. E.T.P. 3'

 

CULTURE & ENTERTAINMENT: Toy Stories


Enea - Boulder, Colorado. Photo Gabriele Galimberti via his website.

Chiwa - Mchinji, Malawi. Photo Gabriele Galimberti via his website.



"Everyone remembers their childhood toys. The fact that I can recall how most of mine tasted better than I can remember the names of my primary school teachers says everything you need to know about the universe kids inhabit." -Ben Machell, The Times Magazine.

Toy Stories is a beautiful photography project created by the Italian photographer Gabriele Galimberti who traveled around the world during three years to document the life of several couch surfers. During these trips he started noticing the different ways kids play according to the country they live in. That's how the proyect Toy Stories started. In this photo-essay kids show their most valuable possessions: their toys. And the photos really say it all. Go ahead and have a look at this beautiful project in Gabriele's website. E.T.P. 10'

CULTURE & ENTERTAINMENT: 5 things you didn't know about M.C. Escher



Image via Fast Company.


"Even if you don’t know much about the man, you know M.C. Escher’s work. References to his mind-bending imagery can be spotted in films like Interstellar and Harry Potter and the Sorcerer's Stone. His penchant for mazes and impossible reality has inspired many a video game designer, and his prints adorn the covers of '60s rock albums. Yet he has never been fully embraced by the art world.
"[Escher] has to be one of the top 10 most recognized artists of the 20th century, but MoMA and Tate would never give him a show, he’s never had a show of any size in France," said Patrick Elliot, chief curator at the Scottish National Gallery of Modern Art. "That was part of the interest for me, the paradox of his work being incredibly famous, but no one knows his name." In a new exhibit, The Amazing World of M.C. Escher, the museum sheds light on the life of a man who, despite producing some of the most popular images in modern art, remains an enigma." Find out four things you might not know about M.C. Escher in Fast Company. E.T.P. 5'

CULTURE & ENTERTAINMENT: How Cats Took Over the Internet... and the museum!

Image courtesy of The Infinite Cat Project via The Creators Project.


"When the Queens-based Museum of the Moving Image exhibits How Cats Took Over the Internet, based on our previous interests (catscats, and more cats), you better believe there's a palpable excitement in our office air. Having literally taken over the web over the last few years, the internet-based cat phenomenon has become more than a passing fad or a time-killer at work: now, it's a real social and creative fact, to be deeply and critically discussed in a museum, starting Friday, August 7.
“The Internet’s collective obsession with cats offers a window into the way we understand ourselves," Jason Eppink, the Associate Curator of Digital Media who organized the exhibition, states. "This exhibition examines the many reasons for this deceptively frivolous phenomenon and highlights the new ways we’re creating, consuming, and sharing culture," he adds." Read full article by Benoit Palop in The Creators Project. E.T.P. 3'

CULTURETAS: A Physical Policy



Photo: The Procrastinator Times.


By  Yamily Habib.



A lot has been said in contemporary philosophy about politics as a gesture and as an approach to decision-making and the responsibility of its consequences. Knowing what we like, why we like it and how to behave accordingly to those preferences turns out to be an identification process that involves most of our productive years and it wears down the totality of our placid ones, even when the suggestions made towards it prove to be premonitory and requires to have a clear idea of what we want and how we’ll manage to achieve it since day one of our College life.

Nobody explains to us that, facing the wide range of possibilities, what we choose conscious or unconsciously will identify us not only as “useful” social individuals but against those who share the subway, the halls, the benches, even our bed. Lacan used to define this as “mirror phase”, a mirror that Borges avoided all his life. A mirror that insists to condemn what we are, how we show it and the (few) benefits that could bring us along the way.

Inside the hetero-normative, the pair male-female is the “normal” standard, miss-conceiving the adjective as a proportional to “common”, thus not all normal is common and not all common is normal, leaving aside the options kept in the margins of what produces immediate reproduction and collaboration to the working mass and the cluster of automatons that over-populate the globe. And it seems reiterative such chatter about the homosexual, lesbian, queer, trans, bi, inter (…) vindication, but to what extent has it really been understood the process to which we are subjected by the system in order to identify the positive and negative poles that coordinate the human behavior? How many of your girl friends sleep with guys but watch lesbian porn at home because it turns them on? Where is the line? Should it really exist?

Wandering in Instagram I found a post from a Colombian writer who I admire where she shows what we dykes have lived and some have overcome with the firm conviction of assuming their bodies as a political gesture that represent and reinforces everything they believe in and everything that they’re willing to reorganize their lives around to. It seems paradoxical having jumped the barrier of heterosexual and patriarchal, binomial and neoliberal subjugation to end up in the promised land with adjectives like lipstick, butch, soft-butch, fancy, girlie, tomboy, trucker, feminine, masculine. It wasn’t until this evening’s tea that I realized that the internal fight of every lesbian is a shared and obvious one, thus it is when we reach the “freedom” status inside our right to choose and living our choices wide openly that I identified the painful process of delineating our identity: that moment when you don’t know what to wear frightened of seeming too masculine and being called upon as a lesbian, because as Amalia Andrade says: “…it is O.K. to be a lesbian as long as you don’t look like one”. Why? If I have been and will always be a lesbian, why should I be submitted to the hetero-dependent paradigms of the west and why should I let them determine what I must wear?

I remember laughing with a friend when we saw a butch girl walking in front of us, he asked me if I liked those kind of girls to what I firmly answered “no, I like girls”. But I remember as well last Saturday when my crush from Instagram was having a drink in the bar across the street. After I showed up she nervously asked her friends if I was hot, to which they answered “she’s kinda butchy”. It’s not karma, its politics. Its not a moral, is the lack of practical sense and an introspective analysis of what identifies me and what I identify. 27 years had to pass so I could understand that what I choose to communicate myself with its not a part (at least not implicitly) of other people’s code, and that in the end what really matters is what it means to me and what I use it for. After all, even though I identify myself as a woman in the heterosexual canon, in front of my mirror I’m a butch… But a flowery one.    

 

IN DOG WE TRUST

 
Photo the lovely Lucielle via her Instagram.
Hello dog lover! Hope you're having a lovely summer!
 
Here are some interesting links for you. Enjoy:









Enjoy your Sunday! And follow Lucielle on Instagram

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In Dog We Trust is edited by Carola Melguizo of La Guía del Perro.